The Temple of Beit el-Wali is a rock-cut Ancient Egyptian temple in Nubia which was built by Pharaoh Ramesses II and dedicated to the deities of Amun-Re, Re-Horakhti, Khnum andAnuket. It was the first in a series of temples built by Ramesses II in this region; its name Beit el-Wali means ‘House of the Holy Man’ and may indicate its previous use as by a Christian hermit at some point in time. The temple was relocated during the 1960s as a result of the Aswan High Dam project and moved towards higher ground along with the Temple of Kalabsha. This move was coordinated with a team of Polish archaeologists financed jointly by a Swiss and Chicago Institute respectively. The temple was located 50 kilometres south of Aswan.
There is a large amount of original colour remaining in the inner part of this temple though sadly the paint has disappeared from the more interesting historical scenes on its Forecourt. Near the middle of the south wall of the temple, Ramesses II is depicted charging into battle against the Nubians while his two young sons Amun-her-khepsef and Khaemwaset are shown being present in this relief scene. In the next relief scene,
“Ramesses [is] enthroned, receiving the tribute of Nubia. In the upper register, Ramesses’ eldest son and the viceroy Amenemope present the tribute procession. The viceroy is rewarded for his efforts with gold collars.
“A painted cast from a wall relief” in the Beit el-Wali temple then illustrates the wealth of exotic products which the Egyptians obtained in trade or tribute from the Kushites; here, the pharaoh receives “leopard-skins, giraffe tails, giraffes, monkeys, leopards, cattle, antelopes, gazelles, lions, ostrich feathers and eggs, ebony, ivory, fans, bowls, shields made of [animal] hides, and gold. Some of the Nubians who are part of the tribute “would be destined to be taken to Egypt to work on the king’s building projects, act as policemen or be recruited into the army for service in Syria.” The overriding theme of Egyptian military success is also hammered home on the opposite wall, where Ramesses II’s triumphal campaigns in Libya and Syria were recorded: he is portrayed trampling his enemies and holding others “by their hair in his left hand while smiting them with his right.
The theme of Ramesses’ might is also carried into the temple’s interior where there are further smiting scenes on the walls of the vestibule. Henceforth, Ramesses II is shown as a pious ruler who worships other deities; besides the doorway leading to the sanctuary “are niches containing statues of the king with (on the left) Isis and Horus and (on the right) Khnum and Anuket, the gods of Elephantine and the First Cataract. The pharaoh is shown presenting vases of wine to Khnum. The deity Anuket offers Ramesses several jubilees. The sanctuary contains 3 rock-cut cult images perhaps that of Amun, Ptah and Ramesses II. The most touching scenes are on eitherside of the doorway where Ramesses is shown as a child being suckled by Isis and Anuket; however, the statue niche was destroyed later perhaps in the Christian era. The exquisite reliefs of Beit el-Wali and its unusual plan differentiates it from later temples by this pharaoh which are located further south in Nubia.
The temple of Beit el-Wali is small, and was built on a symmetrical level. It is made up of a forecourt, an anteroom with two columns and a sanctuary cut into the surrounding rock, with the exception of the entrance and the doorway. The temple was fronted by a pylon.
At the beginning of the Christian Coptic period, the temple was used as a church. Many early travelers visited the temple; its architectural and artistic details were published by Günther Roeder in 1938.